NaBloPoMo Day 30 - X Factor Live Shows Week 4

What a shocker! But that's the way of this show; sometimes contestants that have the potential to go all the way end up in the bottom two, and unfortunately, who stays and goes all depends on who they are up against in the showdown.

So let's start with the Girls category. It's a testament to the fact that Kelly is actively mentoring her acts, that her absence this week, showed in their performances. It's important to say that there really wasn't a bad performance this week, from any of the acts, but there are always weaker performances and Sophie was, for me, probably the weakest of the night. She didn't really do anything wrong, but it was a terrible song choice - many people have tried, and failed, to up date it but it doesn't seem to work without that old fashioned, Nancy Sinatra type of vocal. That mistake left Sophie exposed, and her song for survival wasn't very impressive either. Although I did love her man-chair. Where can I get one? Ahem... I also thought Janet was quite weak. I love the Miss Havisham vibe that the production team put into the staging and I appreciate what she tried to do with song. It was suitably atmospheric, particularly on the flattening of certain notes, but some songs shouldn't be messed with. I can't help but reflect, as well, that Janet needs to smile more. I understand how much pressure she's under and she's obviously had some personal distress as well, but performing is about putting on a show as much as it is about plugging into your emotions (and those of others) and she's such a talented and beautiful girl, it's a shame to see her constantly solemn. Finally, Misha B. The one act from the Girls category that I didn't expect to see in the bottom two. I always love her performances and this week was no different. I love how adventurous she is with the staging and costuming and I think she has an amazing voice. Having said that, I think this week was her worst performance so far. That isn't to say it was bad: it wasn't. I honestly think the only reason she made the bottom two was because of the little disruptive rap bit in the middle of her song. It was unnecessary and didn't really work for me. I can imagine others being really annoyed by it and in such a close competition, that's a dangerous thing to do.

Moving on, one of the acts that I did half-expect to see in the bottom two was The Risk. Opening the show is always difficult and always a disadvantage, because everyone else is compared to you. It is therefore vital to put in a performance that will blow everyone else out of the water. I didn't think The Risk's performance measured up to the task. Having said that, it's hard to put together a show-stopping performance in 24 hours, which is basically all they had left after Ashley's shock departure, and Ashford's return. Turning to Tulisa's other group, Rhythmix... I mean Little Mix, I really did enjoy their performance and I'm pleased that the name change didn't damage them this week. I thought their interpretation of Alien was excellent and the staging was stunning. As much as I have enjoyed their previous shows, it was nice to see something more grown-up from them this week.

So who was strongest this week? That's always a tough call and the competition is impossibly close this year, but I agree with Gary that the performance of the night was Craig Colton. It was a stunning version of Set Fire to the Rain and the energy he put in stamped his identity on a song that is already quite iconic. The staging, once again, was brilliant and made it a memorable performance. As far as the rest of the Boys category goes, I also loved Marcus. He's very natural on the stage - an art which eludes me and which I am very jealous of - and he had a great voice. I really enjoyed his interpretation of Superstitious and, if it had been my choice, that's what I would've liked to see opening the show. It actually got me grooving in my seat. Frankie was, once again, the weakest of the three boys. Having said that, I did enjoy his performance and it was a good song choice for him because it hides the weaknesses in his voice. He's not quite my cup of tea, though, and I would honestly have preferred to say goodbye to him than lose Sophie.

In the fourth and final category, the Overs, I much preferred Johnny's performance from last week, but the song choice this week really did show off his voice. I adore him and think he has great appeal. He'll get a career out of this, but he's not really X Factor and I fear that it is only a matter of time before he falls by the wayside. Until then, I'll continue to enjoy his performances and his infectious smile. Last of all, Kitty continues to trouble me. She is gradually winning me over with her performances and this week was no different. It was a great interpretation of Sweet Dreams that made it really contemporary. I think the less she tries to impress with her off-stage persona, and the harder she tries on the stage, the more successful she will be on the show. For the first time, I can see her lasting, but her position is still precarious.

So overall, I would personally have liked to see Frankie Cocozza go this week, if only for the fact that his general laddishness doesn't appeal to me and I think he's a terrible role model. (I sound so old!) I didn't surprise me that Sophie was in the bottom two, but I didn't think she deserved to go and Misha B shouldn't have been in the bottom two at all. I still think Misha B is a winner. I haven't really seen anyone surpass her yet, but Craig, Marcus, Janet and Kitty are all serious contenders.

NaBloPoMo Day 28 - Group Therapy

It's all gone on in the X Factor house this week. At least for Tulisa's groups it has; it seems rather than going from strength to strength they are going from trauma to trauma.

Earlier this week, Stephen Fry tweeted a link to an open to Simon Cowell and his multi-million pound show from the organisers of a charity. The charity in question was called Rhythmix and works with young people in the South East of England. Their aim is to develop the kids' personal and social skills while encouraging creativity. They have reportedly worked with 40,000 young people in the twelve years since they were formed. When the X Factor four-piece girl group formed, they chose their name without knowing about the charity. When the Syco - Simon Cowell's production company - tried to trademark the name, the charity took action so they could continue to use their existing name. When the girls found out about it, they decided to change their name and this evening announced that, from this weekend, they will be known under the new name 'Little Mix'.

However, that's not the end of the changes. This evening, on twitter, The X Factor announced that four-piece boyband, The Risk, have lost one of their members. Ashley Baptiste, aged 22, said on twitter "I love The Risk to the core. I just know that I am not at the right place to commit fully." Rumour has it that Ashley still wants a solo career and was concerned about committing to the band, only to leave. Ashley has also struggled with illness during the live shows and last week appeared despite suffering from Laryngitis and Glandular Fever in the run up to the show. Rather than continue as a trio, the boys have petitioned X Factor hopeful, Ashford Campbell, who sang in the first and second live shows with rival group, Nu Vibe, to take Ashley's place.

It seems the Girls category is not short of their own problems this week as category mentor, Kelly Rowland has fallen ill during a trip to Los Angeles earlier in the week. A statement read "Kelly is devastated she won't be here for this weekend's show. She is extremely ill with a viral throat infection and her doctors aren't permitting her to fly." However, rumours abound that Kelly is considering quitting the show following accusations from Tulisa in last week's live show that one of Kelly's star acts, Misha B, had been bullying some of the other contestants.

Regardless of whether there is any truth to the rumours, the question is, how will this week's X Factor roller-coaster affect Little Mix, The Risk and three girls, Misha B, Janet Devlin and Sophie Habibis? Such upsets, if playing on the contestants' minds, could affect their performances, and The Risk in particular, face the challenge of bringing a new member up to speed in very short shrift. No wonder Gary is feeling confident for this week. And of course, the earlier controversy over fourth judge, Louis Walsh, is now forgotten. How convenient.

NaBloPoMo Day 27 - Sing Live

I had two options for tonight's blog post. The only thing that prevented me from writing about Manchester City Council's proposals to close facilities at Heaton Park was the fact that I did a political post last night and I am trying hard to keep my blog more lighthearted during NaBloPoMo. Instead, I want to tell you all about one of my passions...

I joined Sing Live in 2009 to perform a concert of Big Band music. It actually seems like it's been much longer than two and a half years because I feel like it has been a long (although incredibly fun) journey between then and now. After that first concert I was privileged to join the company for the 10th Anniversary concert at the Royal Albert Hall, followed by Movie Musicals in February last year, the Beatles Story in June the same year, and then Magical Musicals in June this year. Last summer I also performed with Sing Live on the channel 5 TV show, Don't Stop Believing. Looking back, it's no wonder that it feels like more than a couple of years!

In case you haven't come across Sing Live before now, it is a company aimed at sharing the joy of singing with everyone. The founding principle is 'ordinary people doing extraordinary things in exciting places' and when I think, not just about the venues that I've performed in, but also the ones I haven't been able to join for (Disney World in Florida, Venice, Cruises and even The Vatican) that guiding idea is certainly coming true. Almost everyone I know within Sing Live is an amateur. We are literally ordinary people - very few are exceptionally talented, including me - but we get to sing in amazing places. And it isn't as if we're bad - we are skilled, disciplined and Sing Live concerts are always of the highest possible standard. There are no auditions to join, which means that whether you sing in public or just in the shower, you can participate, and the group environment is a great place to sing while feeling supported and safe.

When I think about my journey with Sing Live, that's exactly what I needed, especially at the beginning. I used to sing when I was in school, but hadn't done any singing (other than along with the car stereo) for well over 10 years. I have no illusions about my ability but I really felt, despite getting a lot out of singing, that I couldn't sing. I felt very out of practice and very unsure of myself. Over the course of the past couple of years, I have got back into the groove and grown in confidence. I've even tried out for solos, and recently started personal singing tuition to help me improve further. And all of that is down to the friendly, nurturing environment that Sing Live provides.

Our next concert starts rehearsing in early November and we will continue through until early February, when we perform at the Bridgewater Hall in Manchester. If you are a frustrated (or not so frustrated) singer, come along to one of our preview nights next Wednesday or Thursday. If you don't want to sing, why not come to our concert. Even if you don't live in the Manchester area, Sing Live operates across the UK and also in Florida. More details available from the Sing Live website.

NaBloPoMo Day 22 - The Black Lion

So, NaBloPoMo day 21... that's three weeks... only another week and a bit and it'll be Nanowrimo and I'll really have my work cut out for me!

Before I get into tonight's blog proper, a quick mention for my colleague and friend, Liz Kirk, who is 26 today. Happy Birthday, Road Safety Princess.

Another landmark event that happened today was me reading my local paper. It doesn't happen often; mostly when I have time (rare) and hubby hasn't already eaten it (even more rare). There was one story in particular that caught my attention. It was a little story written by my favourite journalist, Pamela Welsh, and it was about a local pub.

The Black Lion on Chapel Street in Salford closed last year. The ailing venue was bought by a local film company, FutureArtists, and re-opened at the end of September. The new owners invested £4,000 to revamp the pub and have not only breathed new life into a local watering hole, they have als created a venue fo local performers, artists and musicians. Work from local artists will be exhibited in the bar while upstairs will be transformed into a cinema, which will open next month, to show the films of FutureArtists and other local film-makers.

This is fantastic news. What an innovative idea to benefit the community and independent businesses, performers and artists. Well done to FutureArtists and to the pub landlord, Barry Phillips. I hope that this is a successful venture. Hubby and I will certainly be supporting it and I hope that others will do the same.

You can see what's on at the FutureArtists website.

NaBloPoMo Day 9 - Singing

Regular readers may have picked up on the fact that not much actually happens in my life. It's mostly the same sort of thing every day, which leads me to comment on the weather or the news. But today I actually have something to blog about. Today I had my first singing lesson.

I have mentioned before that I've been performing with Sing Live for a couple of years now. This does cost a fair bit but I love it and can't imagine ever wanting to give it up. I have met so many lovely people through Sing Live; every one is very friendly and supportive and I always look forward to rehearsals as much as the actual performances, which are always thrilling. There are plenty of choirs and singing groups out there but Sing Live is the only way (for an ordinary person anyway) to get to sing in some of the best venues. I have performed at the Royal Albert Hall and others have sung all over the world, from Disneyland in Florida, to The Vatican.

However, as much as I love singing with the choir I think I've developed as far as I can in the group environment. I have loads of confidence when I'm singing with others, but when you're solo there's nowhere to hide and I'm my own worst critic. I'm a complete sod for always pushing and striving to be better; some people might say that's a good thing but it can be a failing... perfectionist might be a good word to describe me. So, when my birthday rolled around, I decided to ask for money towards some private lessons.

It's taken me the best part of 3 months to find someone that I got a good enough vibe from to actually take the leap and go for an initial session and I was not disappointed. I'm not going to go into too much detail because my iPad battery is dying, but the tutor, Jamie, reassured me and made me feel comfortable and relaxed, even though singing on my own usually terrifies me. We did some warm-ups then some vocal exercises and finished with some Adele (one of my favourite artists).

As well as doing the private lessons, Jamie also works with a couple of other performing arts coaches to form the Rhapsody Academy, which offers singing, dancing and acting classes for kids and teenagers. They are based at Rivington Park School near Horwich, Bolton and offer a range of courses. You can get more info here.

Despite my crippling nerves, I love singing and performing. It's is a great confidence builder (especially choral singing - safety in numbers and all that) and it's good for you too. Not only can singing (done properly) be quite physical, it can help you expand your lung capacity and boosts seratonin levels, which combats depression. In other words, it's good for your health and it makes you happy. I am a firm believer in the ethos that everyone can sing, it's just a case of some people finding it easier than others to pitch a note. So if you like to sing in the shower or you sing along with the radio in the car, maybe it's time to try something like Sing Live. Or if your kids are into the music, maybe give something like Rhapsody a try. There really isn't much to lose but so much to gain and so far, I haven't regretted getting involved.